Sunday, May 20, 2012
Home Room (2002)
"High school is no place for kids anymore."
-Det. Martin Van Zandt.
This movie, interestingly enough, was released the same year as Michael Moore's Oscar-winning documentary Bowling for Columbine, which also discussed school kids killing other school kids.
While the characters in Home Room are fictitious, this film is just as powerful.
The film begins with the aftermath of a school shooting in which nine students are killed. The perpetrator himself is shot dead, not by his own hand, but by police.
Det. Martin Van Zandt (Victor Garber) is assigned to the case and begins questioning student Alicia Browning (Busy Philipps), who was acquainted with the perpetrator.
Alicia is also asked by the school principal to visit Deanna Cartwright (Erika Christensen), a student who was injured in the shooting and is now recuperating at the nearby hospital.
The best parts of the film are of the two girls slowly but surely forming a kinship over the horrific events which brought them together.
Alicia is an outcast with a single parent, while Deanna has rich parents and is popular with her fellow classmates.
Despite those differences, Alicia, who once attempted suicide, begins to realize that Deanna is hiding psychological scars beneath her cheerful exterior.
Van Zandt begins to feel doubt and fear himself since he has children who, a few years down the road, will be the same age that the two girls are. Hence, he wonders if they will have to contend with similar tragedy.
All three stars are great, each playing likeable characters who try to make sense out of the most horrible kind of chaos, just like we in the real world do whenever tragedies such as Columbine have occurred.
Fittingly, Christensen and director Paul F. Ryan visited Columbine High School prior to the movie's release to speak with the students and staff, as well as give them a private screening of the film.
While fools are all too quick to blame school shootings on violent movies or video games, Home Room basically concludes that no one element can be held responsible. Rather, the movie focuses on the attempts of the survivors to move on.
Subscribe to:
Posts (Atom)
Double Feature Time: Gremlins/Silent Night Deadly Night
Here's another article idea I had for the much-missed Agony Booth! As this is the holiday season, I thought it would be appropriate to ...
-
This article looks at two of the worst series finales ever. In 2001, just a few months prior to the tragedy of 9/11, two series aired th...
-
With the recent passing of Adam West, this article looks at the classic TV series that became his legacy. The recent passing of Adam West...
-
My latest Agony Booth work looks at the Scream franchise, on the 20th anniversary of the first film. This year marks the 20th anniversary...
-
This is a review of a miniseries that first aired on ABC. With a new cinematic version of Stephen King’s 1986 novel It due to hit theater...
-
My newest Agony Booth article looks at Star Trek: The Next Generation 's third season, which set the course (if you'll pardon the p...
-
A number of my Agony Booth articles have made reference to The Fly , so I thought my latest one for the site should be one celebrating its ...
-
My third entry in the Agony Booth's Movies That Predicted Trump series looks at one of John Carpenter's best movies. As the 1980s ...
-
"I'm in this thing for the full ride!" -Terry McCaleb. For some reason, I predictability in movies for me can vary how I en...
-
This weekend, I had the pleasure of chatting with Roxann Dawson, who is best known for playing B'Elanna Torres on Star Trek: Voyager ....
-
This Agony Booth article is an affectionate look at Sir Roger and his legacy. I was originally preparing to review Licence to Kill , the 1...