"What is it you want, Frankie?"
"I don't gotta want something all the time, do I?"
"I never knew you when you didn't."
-Kathleen and Frankie Flannery.
Francis Ford Coppola's The Godfather (1972) set the benchmark for all gangster movies. Each one which has come in the years since has been compared to it in one way or another. That's a reason why this film was overshadowed upon its initial release by The Godfather Part III as well as Martin Scorsese's Goodfellas. Like Coppola's gangster epic, this is a story of mobsters with the underlying current of family and loyalty. Sean Penn plays Terry Noonan, a fellow who returns from Boston to his childhood haunts in Hell's Kitchen, where he's happily reunited with his best friend Jackie Flannery (Gary Oldman) and Jackie's brother Frankie (Ed Harris). Unbeknownest to them, however, Terry is now an undercover cop sent to bring down their criminal organization before they can strike a deal with the neighboring Italian Mafia. At the same time, Terry rekindles his romantic relationship with the Flannerys' sister Kathleen (Robin Wright) who, like Diane Keaton's Kay in The Godfather, doesn't want anything to do with her family's business practices (to that end, she works at a hotel on the other side of the city). She makes it clear to Terry that she won't be with him if he plans to go along with Frankie and Jackie's dealings again. The acting is great all around, but Penn, whom I've always regarded as one of the most intense actors of our time, is the one who sells it. His self-conflict as he contends with betraying the guys he's known & loved since childhood are completely believable. At one point, he interrupts his lovemaking with Kathleen by screaming, "I'M A F***ING JUDAS COP!" This self-torment intensifies when he realizes that Frankie, unbeknown to Jackie & Kathleen, has killed another childhood pal of theirs (John C. Reilly). Even when Terry flat out tells his superior (John Turturro) that he quits the force, he knows that it's not that easy. Terry knows that the only way out of his situation is to see it through. *Thanks to Macphist0 at joblo.com/forums for recommending that I review this film.
Subscribe to:
Post Comments (Atom)
Double Feature Time: Gremlins/Silent Night Deadly Night
Here's another article idea I had for the much-missed Agony Booth! As this is the holiday season, I thought it would be appropriate to ...
-
This article looks at two of the worst series finales ever. In 2001, just a few months prior to the tragedy of 9/11, two series aired th...
-
With the recent passing of Adam West, this article looks at the classic TV series that became his legacy. The recent passing of Adam West...
-
My latest Agony Booth work looks at the Scream franchise, on the 20th anniversary of the first film. This year marks the 20th anniversary...
-
This is a review of a miniseries that first aired on ABC. With a new cinematic version of Stephen King’s 1986 novel It due to hit theater...
-
My newest Agony Booth article looks at Star Trek: The Next Generation 's third season, which set the course (if you'll pardon the p...
-
A number of my Agony Booth articles have made reference to The Fly , so I thought my latest one for the site should be one celebrating its ...
-
My third entry in the Agony Booth's Movies That Predicted Trump series looks at one of John Carpenter's best movies. As the 1980s ...
-
"I'm in this thing for the full ride!" -Terry McCaleb. For some reason, I predictability in movies for me can vary how I en...
-
This weekend, I had the pleasure of chatting with Roxann Dawson, who is best known for playing B'Elanna Torres on Star Trek: Voyager ....
-
This Agony Booth article is an affectionate look at Sir Roger and his legacy. I was originally preparing to review Licence to Kill , the 1...
No comments:
Post a Comment