"Whatever happens, death is not the end!"
-Lucien Celine.
The recent passing of legendary director Wes Craven prompted me to take another look at some of his films. I'd say that The Serpent and the Rainbow is his most underrated work. It is based on the non-fiction work of Wade Davis, an ethnobotanist from Harvard whose studies while in Haiti basically unlocked the secrets of zombies.
In the film, Dr. Dennis Alan (Bill Pullman) travels to the same country to investigate the death of a man named Christophe (Conrad Roberts), who presumably died and was buried seven years earlier.
Alan also experiences horrifying visions while after obtaining herbs from a shaman. These images include Haitian authority Dargent Peytraud (Zakes Mokae). Alan's American citizenship initially protects him from Peytraud until Alan's refusal to leave Haiti prompts him to take stronger measures.
Despite the help of witch doctor Mozart (Brent Jennings) and voodoo priest Lucien Celine (Paul Winfield), Alan and his associate Marielle Duchamp (Cathy Tyson) soon find themselves at Peytraud's mercy. Mozart and Celine are both killed and Alan falls victim to the zombie powder and is buried alive. But Christophe rescues Alan, who then saves Marielle. Using Celine's teachings, they are able to vanquish Peytraud.
This film didn't make the same impact as A Nightmare on Elm Street (1984) or Scream (1996), which is a shame as it has many eerie moments (one of my favorites is Alan's vision of a zombie hand in the soup he's about to eat).
No doubt this film has drastic differences from Davis's book, but, for those who like zombies, this one is sure to please.
Showing posts with label Craven. Show all posts
Showing posts with label Craven. Show all posts
Monday, September 28, 2015
Wednesday, September 19, 2012
Fear in the Dark (1991)
"From a quiet voice whispering in the dark to a motion picture costing millions of dollars, the effect seems to be the same. We enjoy the electric jolt of sudden shock and revel in the rush of adreneline that goes with prolonged and heightened anxiety."
-Christopher Lee
I suppose I have always loved the horror genre. Every Halloween growing up, I always enjoyed watching classics such as the 1931 gems Dracula and Frankenstein. I remember wanting to see Alien (1979) and Aliens (1986) when they were originally released, even though I didn't actually watch the films themselves until I reached high school. But when The Silence of the Lambs (1991) came out, my love for the genre seemed to increase ten-fold (some say Silence isn't a horror film, but the rest of us know better). Maybe it was because I was a teenager, but I started seeking out more and more horror entertainment after seeing that classic. Eventually, I even sat down and, over time (not in one sitting, because I had other priorities), watched all the Friday the 13th entries. Like Star Trek: Voyager, that series is too non-sensical to be classifed as 'good,' but it can be fun to watch. But this documentary on the horror genre, which was televised on the BBC the same year Silence appeared in cinemas, is definitely good, as I found out after purchasing it on VHS (remember those?). It discusses the beginnings of the genre, which, at the time, emphasized vampires and other supernatural figures. The references to McCarthyism in such classics as Invasion of the Body Snatchers (1956) is also referenced, as are the 'nature gone amuck' genre which, in the 1970s, was reinvented by Jaws (1975). There is also reference to Jack the Ripper and how that case eventually led to the influence of Psycho (1960). That film, of course, led to the slasher film genre such as Halloween (1978) and its subsequent ilk. Ed Gein, a farmer from Wisconsin who was imprisoned for killing a number of women in 1957, is also mentioned, as it was his story which would inspire Psycho, Silence, and The Texas Chainsaw Massacre (1974). Other notable highmarks of the genre include The Exorcist (1973) and the EC comics, such as Tales From the Crypt, which would sadly fall victim to McCarthyism. The emphasis on then-recent release Silence is also nice (I wonder how this documentary would have played out if it was televised after its well-deserved Oscar wins). Directors such as Dario Argento, John Carpenter, Wes Craven, and William Friedkin, writers like Kim Newman, and Saul Bass (who worked on Psycho's shower sequence) give wonderful insight. Christopher Lee's narration is the icing on the cake.
-Christopher Lee
I suppose I have always loved the horror genre. Every Halloween growing up, I always enjoyed watching classics such as the 1931 gems Dracula and Frankenstein. I remember wanting to see Alien (1979) and Aliens (1986) when they were originally released, even though I didn't actually watch the films themselves until I reached high school. But when The Silence of the Lambs (1991) came out, my love for the genre seemed to increase ten-fold (some say Silence isn't a horror film, but the rest of us know better). Maybe it was because I was a teenager, but I started seeking out more and more horror entertainment after seeing that classic. Eventually, I even sat down and, over time (not in one sitting, because I had other priorities), watched all the Friday the 13th entries. Like Star Trek: Voyager, that series is too non-sensical to be classifed as 'good,' but it can be fun to watch. But this documentary on the horror genre, which was televised on the BBC the same year Silence appeared in cinemas, is definitely good, as I found out after purchasing it on VHS (remember those?). It discusses the beginnings of the genre, which, at the time, emphasized vampires and other supernatural figures. The references to McCarthyism in such classics as Invasion of the Body Snatchers (1956) is also referenced, as are the 'nature gone amuck' genre which, in the 1970s, was reinvented by Jaws (1975). There is also reference to Jack the Ripper and how that case eventually led to the influence of Psycho (1960). That film, of course, led to the slasher film genre such as Halloween (1978) and its subsequent ilk. Ed Gein, a farmer from Wisconsin who was imprisoned for killing a number of women in 1957, is also mentioned, as it was his story which would inspire Psycho, Silence, and The Texas Chainsaw Massacre (1974). Other notable highmarks of the genre include The Exorcist (1973) and the EC comics, such as Tales From the Crypt, which would sadly fall victim to McCarthyism. The emphasis on then-recent release Silence is also nice (I wonder how this documentary would have played out if it was televised after its well-deserved Oscar wins). Directors such as Dario Argento, John Carpenter, Wes Craven, and William Friedkin, writers like Kim Newman, and Saul Bass (who worked on Psycho's shower sequence) give wonderful insight. Christopher Lee's narration is the icing on the cake.
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